조선 후기 시가의 사설 공유 현상과 작가성의 행방

초록

The purpose of this study is to clarify what is the literary and historical meaning of the aspect that the different historical poetry genre share same or similar poetic diction in the 18～19th century Chosun Period. For this purpose, in the first place the aspect was confirmed by the prior studies that the joint ownership of poetic diction between folksong, shaman's song, pyeonsijo, saseolsijo, Korean Chinese poetry, gasa, pansori. japga etc. In addition, it was confirmed that these genres shared the composition principle of poetic diction. It is an outcome of oral culture that different genres and different texts share the poetic diction and composition principle. Especially joint ownership of poetic diction is necessary, because poetry in those days was performed as song. By the way, it don't go with modernization of poetry. Because modernity essentially comes into existence with individualism. There was index representing modernity of poetry in those days. It was the parody tried by few poets for example Ju Eui-sik(주의식). On one hand the parody in those days was a joint ownership of poetic diction, on the other hand it was literary aspect implicating the sign of modernity in that it retained critical distance from prior texts. These was also evidence showing that the lower class people having performed only original oral poetry accepted upper class literature. It represented popularization or democratization of literature. At the same time it was a index showing that the lower class people, the acceptor of literature elevated their status. Then they were the producer of literature. Contrary to the 20th century readers pressed by press culture, the 21st readers reborn as the subject who enjoying and producing voluntarily. In this respect the readers of 18～19th is the 'ancient future' of 21st readers.

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