18～19세기 동아시아 시론의 변모 양상과 시조의 실제

초록

In the era of 18～19 centuries, the rising East Asian poetic theory is changed the conservative one into the progressive one. The criticisms of poems that purses the truth of human nature stood up to the existing poetics. These criticisms affirmed the righteousness of human nature, but denied the existing order and ideology. The aesthetic sense of sŏ-min(the common people) substituted for that of yang-ban(the two upper classes in Chosŏn Dynasty) little by little. The sijo text directed from ‘culture of the upper body’ - the ideal, concept, the sacred, what should be, a priori, universality to ‘culture of the lower part of the body’- the real, the common, being, experience, individuality; from classicism to realism; from a single ideology to various ideology. The leading creative and appreciate group was transferred from yang-ban to jung-in(the middle classes in Chosŏn Dynasty). The jung-in preferred to write the common originally with everyday language and Korean rather than to write the sacred conventionally with formal word and Chinese. The jung-in expressed the metonymy rather than metaphor. Therefore, there was a clear transition in sijo text in the era of 18～19 centuries. Those transition is a variety of modernity that is different from the western modernization.

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