탈북 망명인 한진의 예술세계에 투사된 유라시아적 특성과 문화접변

초록

In the paper, the Eurasian characteristics that have not received much attention in the study of the literary world of the North Korean defector and refugee Han Jin were examined from the perspective of 'acculturation.' Various life experiences and perspectives were highlighted to illuminate the aspects projected onto his works. The paper explored expressions of praise for Soviet ideology and anti-American sentiments, expressions of perception toward the new homeland Kazakhstan through variations on the theme of the mother, depictions of the plight of forced migration, and expressions of the diaspora struggle integrated with Korean classics. The observation that Han Jin achieved aesthetic accomplishments by transforming Korean classics to embody and combine with the localization of Eurasian characteristics is a significant aspect that should undergo meaningful reassessment in the future. In this process, Han Jin's acculturation, as he adapted the Korean classics stored in his memory to align with the expectations and perspectives of the local people, was a natural occurrence. However, Han Jin's literary achievements go beyond simply reviving memories of classical works from his homeland. He creatively used them as a foundation to generate works that align with the ideologies and emotions of the region, marking a precedent for 'One Source Multi-Use' in literary production. Furthermore, Han Jin integrated his talents into the cultural and spiritual foundation of the Soviet Union or Central Asia, manifesting them in a new aesthetic. In doing so, he not only serves as an artist who touches the souls of displaced Koreans but also stands as a landmark in the cultural landscape of Eurasia.

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