예술적 성스러움의 건축으로서 알테스 뮤지엄 - 성스러움을 향한 전이 공간 효과로서의 분리, 상승, 행렬 -

초록

This study delves into the Altes Museum in Berlin, examining its role as an architecture of the artistic-sacred through an analysis of itstransitional spatial effects. Beginning with an exploration of the religious roots of the sacred, this research categorizes the encountered spatialeffects during the transition from profane to sacred spaces as separation, ascent, and procession. These spatial parallels are not confined toreligious architecture but extend to non-religious structures, particularly within public buildings like political and cultural institutions. This studyfocuses on the noteworthy connection between art museums and religious architecture, suggesting a potential interplay in the presentation ofspatial effects evoking the sacred. Using the Altes Museum as the primary subject, this study scrutinizes the architectural devices and spatialeffects of the sacred influencing the transition from the profane exterior to the sacred interior of the art museum. Externally, an enclosed sitesignifies separation, reminiscent of a parvis; a raised ground floor with a podium and grand stairs induces a sense of physical ascent akin tohigh places; and a façade featuring classical colonnades denotes another separation akin to propylaea. Internally, the central exhibition hall withits soaring dome mirrors the concept of visual ascent, akin to a sanctuary; a deepened ground-floor exhibition hall with an array of colonnadesevokes procession, akin to a nave; Finally, a compartmentalized second-floor exhibition hall echoes separation, akin to a chapel.

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