한국춤의 어원에 관한 연구 -유(遊)와 축(祝)을 중심으로-

초록

This project exammes an Etymological Meaning of Korea dance. The purpose of this research is to determine how character in Jiauwen, helps us understand the aesthetic values and traditional world view of Koreans as expressed in their dance. Drawing from and extending upon the theories of Byoung-Ok Lee (1993), Bung-Ho Jung (2004), Su-Bam Sung (1988), Sa-Hun Jung (1977), this dissertation is the first to take a an Etymological Meaning of Korea dance approach to analyze Korean dance specifically in order to understand its own inner system and social-cultural meaning. These concepts are reflected in the uniqueness of the life and ideology of ancient society. In this study, I've selected and studied Yu, (遊, play), Cuk(祝, pray) among the Character in Jiauwen that ancient Korean people used, under the topic of etymology of Korean dance. The reason for regarding Yu,(遊, play) as an etymology is that l)ja(子, son), a successor of a position, is an honorable title of a priest, 2)hag(行, go) of human and nature is a walking footstep, 3)Yu,(遊, play), with a clean conscience, is a free movement. The reason for regarding Cuk(祝, pray) as an etymology is that 1) e (二, two) is a prayer for an ideal world, 2) an acquisition of transcendental energy through the sun, moon and stars and 3)Cuk(祝, pray) is the maintenance and unity of a community.

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