現代 영상 이미지의 視點과 視覺的 認識 主體 硏究 - 視點의 修辭學과 영상 讀解 論理를 中心으로 -

초록

This research aims to explain the problem of view point at the modern picture images. ‘Point of view' is one of very difficult and complex problems in narrative theory, creates rhetoric of esthetics and reading logic of picture. To begin with, this study examines various opinions on point of view critically in general narrative theory and film narratology. Reinterpreting some of the things, on various opinions about point of view, consequently affirms that point of view should be explained by the whole effect by the interaction among various points of view because a film has multiple ways of narration concurrently. The discussion on point of view should be understood in dynamic system in which a text changes and moves among various points or view, in infinite amount of representability of picture images. This mechanism is very important analytical concept as the process which is composed main agents of visual recognition that indiscriminately accepts excessive picture images in recent years. Therefore, this study tried to analyse texts like 「Paranormal Activity」, CCTV, mass media coverage, multimedia’s pictures, and pointed out the salient features of the new reading logic of picture, ‘non-viewpoint' and ‘non-aesthetics'. Especially, advancement in cultural environment makes revolutionary change of the relations between main agents of visual recognition and picture images. As shown in this study's examples, consumers are voyeuristically bewildered by unidentified picture images. It is important for main agents of visual recognition to gain an insight into their point of view on unidentified modern picture images.

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