<시문학>과 시조

초록

The literary magazine Simunhak, which carried on the legacy of pure lyricism and reached its peak as language art, displayed special interest in Sijo, the opposite of free verse. In the epilogue of the first issue, Park, Yong-cheol promised that the magazine would take interest not only in lyric poem but also in Sijo, and published his own Sijo works in the first issue and stanzaic Sijo “Lovely Mountain Path (Goun Samgil)” by Byun Young-ro in the second. Byun was the first to publish meaningful Sijo works in Simunhak. Park continuously showed his self-consciousness on Sijo by publishing his own works in the third issue as well. In this context, the participation of Jeong, In-bo in Simunhak served as an important momentum for the development of modern Sijo. However, Jeong only left translated works of Sijo in Simunhak. Therefore, the focus should be on the fact that Park, Yong-cheol, the key figure in Simunhak, showed his self-consciousness on Sijo and carried it out, and that he published Byun, Young-ro’s works of Sijo in the magazine and this project was discontinued with the cessation of the publication of Simunhak. If Simunhak was published continuously as per the original plan of Park, Yong-cheol, he might have given one axis of the magazine to Korean formal verse with Byun, Young-ro and Jeong, In-bo.

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