무용의 재매개 구조로서 ‘비신체적 운동’ - 노먼 맥라렌 추상 애니메이션의 방법론적 재독해

초록

This study re-reads Norman McLaren’s abstract animation from the perspective of remediation in dance to examine how choreographic movement can be constituted under non-corporeal conditions. Chapter 3 analyzes the generative and relational organization of impersonal movement in V for Victory and Spheres, while Chapter 4 theorizes this process through the concept of movement structure. The findings show that movement in McLaren’s works operates as visual rhythm and temporal structure formed through relations, repetition, and spatial arrangement rather than bodily expression. Such movement is transformed into a non-corporeal dance structure shaped by the temporal and formal conditions of audiovisual media. This study proposes an analytical framework that redefines dance as a relational and sensory structure beyond the human body.

키워드