모차르트 오페라의 관습적 이디엄

Mozart's Conventional Idiom in his Opera
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초록

Mozart's artistic creativity is markedly shown in his technique of applying conventional idioms through which he communicated with his audience. The best way to understand his expressive vocabulary would be to examine the musical language in his operas, since it develops its own plot. In this study, the treatment of the conventional idioms in Le nozze di Figaro and Don Giovanni was analyzed in four categories based on Mozart's own statement about Die Entführung aus dem Serail: overture as an anticipation of an opera, description of characters' class and nature, description of changing moods or affection, and technique of conversion between scenes. This study can provide a somewhat clear view to draw a whole picture of Mozart's rhetoric in his instrumental music

키워드

관습적 이디엄토픽수사학오페라 부파<피가로의 결혼><돈 지오반니><후궁탈출>Conventional idiomTopicRhetoricOpera buffaLe Nozze di FigaroDon Giovanni)Die Entführung aus dem Serail
제목
모차르트 오페라의 관습적 이디엄
제목 (타언어)
Mozart's Conventional Idiom in his Opera
저자
권송택
발행일
2009-01
저널명
서양음악학
12
1
페이지
41 ~ 78