뉴 브루탈리즘을 위한 시각적 선언으로서의 이미지 전시- “삶과 예술의 평행”의 사진 이미지 체계와 교차 관계 연구 -

Exhibition of Images as a Visual Manifesto for the New Brutalism - Photographic Image System and Cross Relationship of “Parallel of Life and Art”-

초록

The Exhibition “Parallel of Life and Art”, held by Alison and Peter Smithson, Nigel Henderson and Eduardo Paolozzi, is one part of the early new brutalism discourse with Soho house project and Hunstanton middle school. the 122 unfamiliar image panels were hung in the exhibition, ICA in London. The editors of the exhibition, they selected and arranged images and there were certain ‘photographic image system’. This system constructs a series of cross relationships and creates ‘the new landscape’. this study analysis Smithsons’ discussions on Parallel of Life and Art, especially with ‘Document 53’, and examine how the exhibition worked as a manifesto for the New Brutalism.

키워드

뉴 브루탈리즘삶과 예술의 평행앨리슨 & 피터 스미슨이미지 체계교차 관계The New BrutalismParallel of Life and ArtAlison and Peter SmithsonImage SystemCross Relationship
제목
뉴 브루탈리즘을 위한 시각적 선언으로서의 이미지 전시- “삶과 예술의 평행”의 사진 이미지 체계와 교차 관계 연구 -
제목 (타언어)
Exhibition of Images as a Visual Manifesto for the New Brutalism - Photographic Image System and Cross Relationship of “Parallel of Life and Art”-
저자
전태규남성택
발행일
2020-10
유형
Proceeding
저널명
대한건축학회 2020년도 추계학술발표대회논문집
40
2
페이지
292 ~ 295