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1953년 전시 "삶과 예술의 평행"의 이미지 체계와 교차 관계 - 스미슨의 '발견한 이미지들'의 공간적 병치를 통해 건축된 '새로운 풍경' -
Image System and Cross Relationship of Exhibition in 1953, "Parallel of Life and Art" - Smithsons' Juxtaposed 'Found images' and Constructed 'New Landscape' -
- 전태규;
- 남성택
Citations
SCOPUS
0초록
The Exhibition “Parallel of Life and Art”, held by Alison and Peter Smithson, Nigel Henderson and Eduardo Paolozzi, is one part of the early Brutalism discourse with House in Soho and Hunstanton middle school. The 122 unfamiliar image panels were hung in the exhibition, ICA in London. The editors of the exhibition, selected and arranged images and there were certain ‘photographic image system’. This system constructs a series of cross relationships and creates ‘the new landscape’. This study analyses Smithsons’ discussions on Parallel of Life and Art, especially with ‘Document 53’, and examines how the exhibition worked as a manifesto for the New Brutalism.
키워드
The New Brutalism; Parallel of Life and Art; Alison and Peter Smithson; Image System; Cross Relationship; 뉴 브루탈리즘; 삶과 예술의 평행; 앨리슨 & 피터 스미슨; 이미지 체계; 교차 관계
- 제목
- 1953년 전시 "삶과 예술의 평행"의 이미지 체계와 교차 관계 - 스미슨의 '발견한 이미지들'의 공간적 병치를 통해 건축된 '새로운 풍경' -
- 제목 (타언어)
- Image System and Cross Relationship of Exhibition in 1953, "Parallel of Life and Art" - Smithsons' Juxtaposed 'Found images' and Constructed 'New Landscape' -
- 저자
- 전태규; 남성택
- 발행일
- 2021-06
- 저널명
- 대한건축학회논문집
- 권
- 37
- 호
- 6
- 페이지
- 93 ~ 104