말러의 말년의 양식 : 교향곡 제9번 스케르초 악장을 중심으로

초록

Mahler's Ninth Symphony has been frequently discussed by many scholars not only because it has problematic forms and styles but also because it is his last completed work. A majority of them related the work to the situation of composer's impending death. However, Mahler's biographer, La Grange refuted against the opinion revealing Mahler had been a fairly good condition in composing the Ninth. He explained the forms and styles of the Ninth in relation to the ‘last style’ discussed by Adorno in his Sp¨atstil Beethovens. The Study is focused on the Scherzo of the Ninth because of its enigmatic form, style, and the unconventional usage of topics. At first,Adorno's late style was examined along with Said's On Late Style. Through analyzing the Scherzo, I discussed what makes the movement so strange,aggressive, and ironic, and explained the late style of Mahler with examining the topical dissonances of L¨andler and waltz, and the defamiliarization, uglification, and negativity produced by Mahler's masterly motivic and thematic manipulation.

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