황동규 시에 나타난 실존적 고독과 신성한 것의 지향

초록

Early poems of Hwang, Donggyu rose from internal imaginary space distant from specific space. After this, he extended the process of seeking ‘the poetic’ stirred up from the inside of life to the outside. He sometimes showed political allegories and sometimes embraced the reality of 1970s. This was when Hwang, Donggyu’s poems which had seemed to be far away from reality came closer as more specific realities stripping the true nature of oppressive power. Like this, Hwang, Donggyu has consistently told existential solitude as original and universal emotion buried in human and tragic aspects of life from the early period of poems. This thoughts of his early poems had been slowly changed into the uncontrollable energy, love and he had put more weight on testifying for a form of lacking love deep in mind and perpetuating it. By doing this, he intended to endure the perpetuated lacking situation and overcome it chimerically. Hwang revealed multi-layered contradictions of realities by using allegories and ironies and underwent a process of describing the restoration of life’s sincerity and the joy through the accordance of life and journey, active insight and acceptance of death, lightness of being acquired with dramatic lyric poems and travel motifs. Then Hwang, Donggyu’s poems met the most sacred and detailed scenes and accomplished ‘the poetic.’ So then, we came to have the experience of becoming the identity who tried to endure and cure the arduous life in this world. His journey as a poet who contributed to the deepening of peculiar aesthetics of modern Korean poetry is still ongoing.

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