프랑스 바로크 음악의 ‘좋은 취향’과 ‘혼합 취향’: 지역적, 정치적, 세대적 갈등

초록

This study focuses on the comparison and the rivalry between France and Italy in music prevalent during the Ancien Régime. These were examined through the perspectives of regional, cultural and aesthetic differences between them and from the angle of political and generation conflicts that resided within France by investigating the political, social, and cultural background and the contemporary literature. Controversy over Italian music existed from the 17th- to the middle of the 18th-century in France. The changes of the tastes in French music were unfolded in two directions: ‘Le bon goût’ developed from the tradition of describing the influence of French literary classicism on music and ‘Les goûts réunis’ developed after reconciliation between the French and Italian music. It was shown that the changes in French music at that time were primarily due to cultural, regional, and aesthetic differences. Still, the contribution by the political instrument of the Absolute monarchy and the generational conflict of the Lullistes, Préramistes, and Ramistes could not be ruled out.

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