피가로는 정말 수잔나에게 화가 난 것일까? : 음악분석으로 되읽는 오페라

초록

The present study focuses on moments when music seems to say something that is not in harmony with what text expresses. This discrepancy between music and text suggests that Mozart tells us, through music (vocal or instrumental), the characters’ most private thoughts that are not revealed in the text alone. This paper proposes music analysis as a way into reading this unheard voices, and examines the way in which Mozart narrates his version of drama that is distinct from the librettist’s or the literary source on which his opera is based. I close by discussing the implications of such reading in stage direction, revisiting a scene from Mozart’s Le nozze di Figaro, and Jean-Pierre Ponnelle’s 1976 film-version of the opera.

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