프로젝션 맵핑을 활용한 한국 전통춤의 활성화 방안

초록

Korean Traditional dance is the cultural heritage which includes identity our nations through the ages. The reason that Korean traditional dances are recognised as cultural heritage is as follows：It is the foundation of traditional culture as a content inheriting authenticity of Korean traditional heritage, and at the same time, the value of the traditional dances itself has been acknowledged. For these reasons, there have been tremendous efforts to develop and inherit those traditional dances. However, they have been considered as the preserve of specific groups in the narrow dance society with being ignored by general public’s attention despite the value. Under this circumstance, this research intends to suggest alternatives with an aim at improving current situation. To be more specific, based on the spirit of ‘Bup-Go-Chang-Shin(法古創新)’, which has the meaning of reviewing the old and learning the new, this study is going to explore revitalization ways for the Korean traditional dance using Projection Mapping. In other words, expecting to create synergy effects on the revitalization of traditional dance, this research attempts to integrate Projection Mapping Technology into the Korean traditional dance. Then, the designed research model using Projection Mapping will be suggested focusing on the preservation of the original form of Korean traditional dance. In doing so, we can anticipate making public enjoy traditional dance in an easier way through utilizing such up-to-date technology. The research model is developed by using study sketch, 3D Mock-up, and virtual key visual image. First of all, study sketch is to do modelling of an objet on which the traditional dance image will be projected, and 3D Mock-up, as the second, is three dimensionally designed mockup. Lastly, the virtual key visual image is to present the appearance of the traditional dance image projected on the designed mockup similarly to what is seen actually. Contents applied to the research model are photographs and pictures relevant to the traditional dances, which are comprised of ‘Traditional Dances Looked through photographs’, the first chapter, and ‘Traditional Dances Looked through pictures’, the second chapter. Following the study model, the plan for revitalizing traditional dance is categorized as three aspects：Dance education, Dance therapy, and Performance Arts. First of all, in the aspect of dance education, projection mapping can be used as training aids for cognitive, emotional classes. Also, after making an object by students themselves, students can express and present how they felt regarding the image of traditional dance projected on the objet, and through this process, voluntary and creative classes can be expected. The second is the aspect of dance therapy. At this stage, suggestions are presented focussing on the patients’ psychological stability, which is believed to be the most significant factor in processes of therapy, and the change of the therapy place. To sum up, this study draws on research to find out alternatives in order to propose diversified ways to revitalize Korean traditional dance using Projection Mapping, and particularly, concentrates on the receivers’ immersion and concentrativeness in the light of the visual aspect. As this trend of interdisciplinary researches on Korean traditional dance continues, Korean dances can be expected to gradually revive and communicate more with public in the near future. Furthermore, we can anticipate that the public would be able to acknowledge the intrinsic value and meanings of our traditional dances.

키워드