장르의 수사학(修辭學), 양식의 수사학(修史學): 몬테베르디의《탄크레디와 클로린다의 싸움》 (Combattimento di Tancredi et Clorinda, 1624)을 중심으로

초록

Claudio Monteverdi’s Combattimento di Tancredi e Clorinda(1624) is a ‘problematic’ work. In terms of ‘genre’ and ‘style,’especially it has been created lively debates between scholars. The paper tries to reveal the reason why those concepts hadbecome problematic. As a result, the paper suggests thefollowings; 1) in the early seventeenth century, the concept of‘Madrigal’ has been slowly replaced by the concept of ‘MadrigalBook.’ 2) Monteverdi confused ‘concitato’ as a genre with‘concitato’ as a style. 3) “Combattimento” demonstrates thehistorical changes of Monteverdi’s thought on the relationshipbetween text and music. Finally, the paper suggests that it wasthe very ‘problems’ that leads the research into the richness ofhistorical details. Sometimes the ‘problematic’ works could leadthe research more productive than the ‘typical’ ones.

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