전환기 세계질서와 정체성: <블랙호크다운>과 <모가디슈>의 시각으로

초록

This paper describes the evolving identities that emerged during the shift from the Cold War era to the post-Cold War era, extending the examination beyond international relations to include film as a lens for understanding contemporary global dynamics. Somalia serves as a case study, representing various identity paradigms across different historical epochs, and positioned on the periphery of global power dynamics. Through the analysis of films such as “Black Hawk Down” and “Escape from Mogadishu”, set in Somalia during the early 1990s, the paper explores how identity transformation unfolds amid geopolitical transitions. It begins by laying the epistemological foundation for examining identity shifts, then explores Somalia’s international relations context, and finally analyzes how the identities of various actors evolve within the broader political landscape portrayed in the films. The paper concludes by suggesting implications for theory, education, and policy.

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