이승훈 시의 매체 미학

초록

Lee Seung-hun’s poetic world is divided into non-object and self-exploration, self-extinction and deconstruction, concept of non-duality and Sŏn(禪) period. Lee Seung-hun has published three books of poetry from the mid-1990s to 2000 and is eager to deconstruction. The transition from negation of object and ego to deconstruction is read as epistemological and ontological ‘turn’. To lean on Arthur Danto, Lee Seung-hun discovered the possibility of writing poetry after ‘The Death of Poetry’. The materiality of language is foregrounded, and language is regarded as a media for representation that presents a poetic process. Lee Seung-hun insulated his poetry from the institutional order of the artistic process and showed a completely different style as if betraying the on-going works all at once. In this paper, this aspect was defined as a ‘late avant-garde’ strategy. Lee Seung-hun’s own methodology is ‘intermedia aesthetics’. Poetry approaches a media-specific space in which language as a material media realizes itself. In a pastiche technique of different genres, different texts, and textures, Lee Seung-hun presents media aesthetics as a process. The possibility of poetic one is deconstructed composition, passing through the plurality of media. Poetry after the turn into the media expand and redefines previously denied concept of poetry. The existence of poetic one is revealed through the fundamental lack of the significant of poetry. The possibility of poetic one as a sign of the very impossibility could have been reconsidered.

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