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에밀 쿠스트리차 영화의 환상성과 시대의 알레고리
- 박병윤;
- 정태수
초록
Emir Kusturica has made eight feature films since his first feature film debut in 1981 until today. A very intense and dynamic flow of time ranging from Nazi domination of the 1941 civil war and independence, and the introduction of democracy and capitalism make it a historical background. Here the conflict of the poor life of gypsies and Muslims are material to his film work is bold yet risky. His films still do not fall for their comments to social and personal problems, the regime and ideology. Especially Feature film 8 side of Kusturica, like the film in other countries confused at the time politically, for sensitive political matters criticisms directly, or than a realistic description, implicitly audience through the process of 'fantasy' and 'allegory' They are talking to. His films have appeared Present Situation and dreams, reality or unreality is always 'fantastic'. Is the world of reality and fantasy blur the boundaries separating'll make it through the coexistence of two worlds, not shown. He also uses the allegory of Benjamin as a way of analogy. Method of allegory that capture the history and ideology, as it has been used as the main movie in a movie representation of Kusturica. This historic castle was to recreate a fantastic performance period through the past and the reality of the times ambiguous allegory depicting the boundaries of the boundaries between reality and unreality effectively expressed through dramatic elements. Also it did not miss a realistic way deploy social awareness in a way that reminds us the 'real reality' to audiences in accordance with the "magical realism" of unrealistic situations.
키워드
- 제목
- 에밀 쿠스트리차 영화의 환상성과 시대의 알레고리
- 제목 (타언어)
- Allegory and fantasy of Emir Kusturica’s film
- 저자
- 박병윤; 정태수
- 발행일
- 2015-11
- 저널명
- 현대영화연구
- 권
- 11
- 호
- 3
- 페이지
- 287 ~ 325